Press
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'Crimes of the Heart' review: Tragedy and comedy balance nicely in play about 3 dysfunctional sisters
From The Oregonian on September 24, 2011
"Greer lights up the stage occasionally as the wayward Meg, whose moral revelation and taste of brief happiness comes out of left field after she meets up with Doc."
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'Crimes of the Heart'
From Willamette Week on September 23, 2011
"...the stunning Greer brings Meg’s insecurities and addictions to startling light..."
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Bag & Baggage turns 'The Tempest' into a broad, bawdy comedy
From The Oregonian on August 3, 2011
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'Apparel' emotionally piercing at Civic
From The South Bend Tribune on June 1, 2008
"Greer makes Mrs. Van Buren the most vulnerable and saddest character in the play, the only who hasn't learned how to live with the disappointments in her life. In Greer's performance, darting gestures and sudden mood swings reveal the fragile nature of the character and how she's unraveling."
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'Marisol' makes audience stop, think
From The South Bend Tribune on February 24, 2008
"...it's difficult not to be seduced by Cassie Greer's performance in the title role. Her embodiment of Marisol is intimate and bold as she navigates an array of emotions to near perfection. She is tender and frightened, weak and tortured, and by play's end at peace with her choice."
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New World sharp with play's satire
From The South Bend Tribune on March 12, 2007
"Greer plays Lysistrata as an assured and patient woman, with her rational demeanor an effective ballast to the aroused passions of everyone around her as the sex strike drags on. Greer's pointed delivery of her character's satirical lines digs deeply into Lysistrata's targets..."
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Troupe shines in complicated 'Mrs. Rochester'
From The South Bend Tribune on March 19, 2006
"When Nance, Greer and Miazgowicz exchange lines together, the effect is far greater than the standard 'split personality' riff. Each actress provides different dimensions of Rhys' inner and outer workings."
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'Rochester' - A dark world shown brightly
From The Elkhart Truth on March 19, 2006
"Cassie Greer is the linchpin as Bertha Mason, the 'madwoman in the attic' from 'Jane Eyre.'...we see her in a choreographed craziness, laughing, screaming, then muttering things... Greer gives a frighteningly good physical performance, punctuated by vocal anguish."
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Set, tone carry 'Hello, Goodbye'
From The South Bend Tribune on January 29, 2006
"...its complexity requires tour-de-force performances from Greer and Jacobs, and both of them come through brilliantly."
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Theater students gather women’s stories through Maple Scholars project and create theatrical production
From Goshen College News & Events on August 12, 2005